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    <dc:title>Creative Foundation</dc:title>
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      <dc:description>"The fifth edition of Creative Folkestone Triennial will run from Thursday 22 July \u2013 Tuesday 2 November 2021, presenting around 27 newly commissioned site-specific artworks by internationally acclaimed artists, inviting you to explore the town and its urban tales.\r\n\r\nCurated for the third time by Lewis Biggs, the 2020 Triennial, entitled The Plot, invites visitors to consider urban myths and their relation to verifiable realities: the gap between the story and the actuality."</dc:description>
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      <dc:description>" This film is a specially commissioned version of its one hour long original, offering a unique opportunity to experience Beckett in Folkestone. Through this film, you will walk in the footsteps of a mysterious performer personifying both a member of the public and Beckett himself. The original film was premiered at Creative Folkestone Quarterhouse in June 2021 as part of Folkestone Book Festival.\r\n \r\nIn March 1961 the author of Waiting for Godot (1955), Samuel Beckett (aged 54), mysteriously booked a room for two weeks at the Hotel Bristol on the Upper Leas in Folkestone under his middle name, Mr. Barclay. Beckett was keen that his Folkestone marriage to his long time partner Suzanne Dechevaux-Dumesnil remain a secret and so during his stay he was deliberately stealthy for fear of being recognised. \r\n \r\nTo mark the 60th anniversary year of Beckett\u2019s wedding in all its intrigue, Folkestone Book Festival commissioned an indoor-outdoor promenade event which audience members experienced one at a time. This included three short fictional monologues specially written by acclaimed writers, Helen Oyeyemi, Rupert Thomson and Eimear McBride in which they portray three Folkestone residents who observed Beckett during his stay - a receptionist at the Hotel Bristol, a local stringer for the Daily Express newspaper, and a witness, possibly invited off the street, to the wedding at Folkestone Registry Office.\r\n \r\nInitially commissioned as documentation of the promenade performance the Beckett in Folkestone film, shot entirely on 360\u00b0 format, now has a life ofits own as an innovative and experimental film.\r\n\r\nThe film was funded by CUPIDO, a project supported through the Interreg North Sea Region Programme which is part of the European Regional Development Fund."</dc:description>
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